(MUSIC ''LOVE AND HAPPINESS'')
Love and happiness
Yeah
Something that can make you do wrong
Make you do right
Yeah
Love
(MUSIC ''THE BEST IS YET TO COME'')
When love's astray
There's nothing you can do about it
But who can say?
I won't be better off without it
I might be down But don't count me out
There's a world I want to know all about
You can say I'm just dreaming
I've always been an optimistic one
I can't help feeling That the best is yet to come
Oh, oh, oh, oh
There comes a time
Ain't nothing you can do to stop it
Right now is mine
I'm gonna make the best time of it
Don't hold your breath If you're waiting for me
Today is just tomorrow's history
You can say I'm just dreaming
I've always been an optimistic one
I can't help feeling That the best is yet to come
Oh, oh, oh, oh
The best is yet to come
Oh, oh, oh, oh
MAN ON STREET: Hey, sweetheart, how about I dry you off?
You say I'm being foolish
Well, maybe that's so
But I'm not afraid of letting go
Hey, babe!
You can say I'm just dreaming
I've always been an optimistic one
I can't help feeling That the best is yet to come
Oh, oh, oh, oh
The best is yet to come
Okay, don't hit me.
This is a message from Sinclair. He's coming to your party.
That's great. So, what do we have now? A critic, two clients, three painters.
Should be three more clients and Molly in the back room.
You should know how to do business.
Give me a break here.
I'm calling out for coffee. Who wants what?
I want a chocolate croissant, Sweet 'N Low and a coffee light.
Okay. You, Liz?
Hot tea with milk.
Hey, boss-man!
I'll have a hot water with lemon and Sweet 'N Low.
Don't let them charge for it.
Slimming down, tubs?
I don't fast to lose weight. I fast to save money.
No sales, we'll both be in the back.
-Did you get the dip? -Yeah, wine cheddar.
What do we have now?
Olives, crackers, pâté, what else?
French ticklers, Spanish fly, margarine.
-This guy's shy. You can't do that. -All right, so all right.
-Bye. -So, what's his name, Michael?
Sorry, love. Why?
Oh, my God.
Sinclair, he's a vegetarian.
String beans, romaine lettuce, asparagus, carrots...
(ARGUING IN FOREIGN LANGUAGE)
Hey, all right, okay.
More, free. Free, free, free. No charge.
Okay, goodbye.
Hello.
-Imagine one caught in your throat. -Can you imagine the songs they sing?
-Oh, such a romantic. BUTCHER: -Can I help you, ladies?
-Half a dozen birds. BUTCHER: -You clean me out.
What are you gonna do with them?
What do you think we're gonna do?
Eat them?
No, we plan to give them a proper burial.
That's very funny. Seriously. Very funny.
MOLLY: Maybe we'll raise them as pets and then fly them from the rooftops.
-Would you wrap them up? BUTCHER: -Yes, ma'am.
ELIZABETH: -Wrap them up. BUTCHER: -Yes, ma'am.
MOLLY: -Wrap them up. Let's go. BUTCHER: -Okay.
Let's see. What else?
Fortune cookies. About 8, no, 12.
Just wrap them with the rest.
Cab!
Stop, I'm pregnant!
Cab!
Coming at 8, huh?
Yeah, 8.
Listen, why don't you get comfortable and I'll get it?
Okay, come on, schmuck, take your shirt off.
Come on, I haven't got all night.
You won't talk me into giving a dinner party again.
It shows you're opening up.
I'm fine.
Soon you'll be putting an ad in the personals columns.
''Beaut...'' No. ''Divorced White Female.
''Beautiful statuesque blonde.
''Witty, cultured, owns own vibrator.''
Oh, Lizzy...
I know you don't have one. Not vous.
You are the grossest, most perverted,
-oversexed, disgusting... -Oh, my God!
Oh, baby!
Oh, Michael, yes!
He's eating Volkswagens.
I said to his agent, ''How am I supposed to review a piece like that?''
-How about a Volkswagen-tasting party? -More wine?
Michael?
THEA: Anyone can do this with his or her nose.
No, wait, wait. She did it!
Have you guys heard of this artist?
He's new. This is serious.
Come on, please, everyone, let her tell the story.
Elizabeth does not lie.
She's blushing.
There's nudity and violence in this, mark my word.
-Tell it, tell it. -Come on.
A guy, he's an artist.
-He's done a series of portraits. -What kind of portrait?
No, rectal portraits.
I know him.
He pulls down his pants, puts the brush up his bum
and then paints portraits in a sort of jack-knifed position.
It's the most amazing thing.
That's sort of the way you write your reviews, isn't it?
Charming. Charming. Very charming.
To swimming with bowlegged women.
(REGGAE MUSIC PLAYING IN BACKGROUND)
-It's beautiful. -It is a beautiful shawl.
It's an old French shawl.
-How much? -Three hundred dollars.
Is it really that much?
It's rock bottom. Three hundred dollars.
Three hundred's a good price.
Thank you.
Will you move me on
To where the eagle flies To where the eagle flies
So I can live wise I just want to live life in your eyes
What's that?
That's a baby!
-How much is it? -For you, 40 big ones.
How about 30?
Thirty-five.
How about 30?
Okay.
Every time I see you you're buying chickens.
Thirty.
-Every time I see you you're... -What?
-You're smiling at me. -Smiling at you?
Thank you.
(WOMAN SINGING IN ITALIAN)
This place has a lot of history.
The chair you're sitting in right now, a guy named Gino Gambini
got his brains blown out
while he was eating the same thing you are, linguine con cozze.
There was another guy.
Back in... Well, this was earlier, this was in 1963.
Did you ever hear of Vito Possolipo?
No, I don't think so.
Would you like some more?
Vito Possolipo was sitting right over there where that baby is.
He was minding his own business. He was having ziti al forno.
They came in...
-You don't want any? ELIZABETH: -No. What did they do?
Vito Possolipo came in...
Let me finish this.
Halloween night, sitting in back,
minding his own business, they gunned him down.
My God!
This place is what they call a family restaurant.
Listen...
Do you recognize this?
John.
It's for you.
Don't say I didn't warn you, okay?
Is this yours?
No, it's a friend's.
Thanks.
It's beautiful.
It's so beautiful.
It's nice.
Is this your duck?
You're taking a lot for granted.
Am I?
That or you're practicing to be a maid.
Do you like music?
Some.
(MUSIC ''STRANGE FRUIT'')
Southern trees
Bear strange fruit
Blood on the leaves
And blood at the root
It's Billie Holiday.
Black bodies swinging
What do you do?
In the southern breeze
I buy and I sell money.
Some people call it arbitrage.
What do you call it?
I call it a living.
So you sleep with a telephone under your pillow?
No, I don't do that. I used to do that.
I don't have to do that now.
But your business is risky, isn't it?
Well, it's not any riskier than you coming here.
Here, where there's no neighbors around.
We hardly know each other.
I don't know you.
You really don't know me.
I mean, there's no taxicab waiting on the curb.
There's no phone booth outside.
There's no one to hear you if you called out.
Just
you and me.
I don't like this. I want to go.
I was just kidding.
Now!
Right, we'll put this down, here.
We should go black, black, red, red. That's it.
From this end to that end. Black, black, red, red, black, black.
I think the dog collar belongs here.
It's not. It's a chastity belt.
It is?
(ROCK MUSIC PLAYING FROM HEADSET)
Elizabeth.
Someone sent you flowers.
All right, don't do anything.
Where did she go?
Thank you.
Come with me.
-Send her up? -Take her up.
John.
Bye.
John, I hate you.
Stop it.
Shall we get a cup of coffee?
John, let me down from here.
ELIZABETH: -You pig! -See you later.
Get me down!
-Why don't you just calm down? -I mean it.
Why don't you just calm down? Why don't you just...
What is the matter?
Leaving me up there like that.
Slow down.
I see someone coming.
-Take this sucker for five dollars. -Maybe even 10.
Sir?
You like music?
Do I like music? Look at these guys. Who wants to know?
My brother. He can fart the theme from Jaws. He's really amazing.
Wait a minute. He can what?
He can fart the theme to Jaws. It's five dollars.
Five dollars? For five dollars I can go out and buy the record.
-Too much. -Oh, what about a buck?
You can do this for a buck?
Go ahead, do it and then I'll give you the buck.
Give him a dollar. Who can do it?
I can. But we need the money first.
I'll tell you what,
you hold the money.
Go ahead, hurry up, do it.
Look at him, he looks like he's going to take off.
(FLATULATING SOUND)
-That's it. -That's it?
That's it?
What about...
He only does the first couple of bars.
Oh, no, give me the money back.
Come on, let's go.
This is Dr. Holden's office.
Just wanted to remind you, you have an appointment tomorrow.
Hi, it's Scott.
We're going to Fire Island this weekend. Want to come?
That's my dad and me.
This is Tom Miller of Miller's Antiques.
Hello, I waited until ten. Did you forget?
I'll speak to you later.
That's Bruce.
He's a songwriter.
We were also married for three years.
Aren't you going to ask how I feel about him now?
Shit, I hate these machines.
Lizzy, this is your mother. Remember me?
-You hungry for turkey? -That's my mom.
Take off your dress.
What?
Will you take off your dress?
May I blindfold you?
What if I don't want you to?
Well, you can ask me to leave.
I don't want you to leave.
(CAT MEOWS)
Don't move.
No, no, don't move.
I want to look at the outline of your body.
Does this frighten you?
Yes.
Does it excite you?
Yes.
It does me too.
Is he supposed to be dead or asleep?
I think he's sleeping. I like to think of him sleeping.
It's by Matthew Farnsworth.
And nobody's ever heard of him, I know.
But we're about to have a show of his work at the gallery. Very soon.
I think he's a lovely artist.
How about it? How do you feel?
It just doesn't...
I don't know how to say it.
It just doesn't...
Do you like it?
Great. I think he's dying to get out.
Thank you, very much. Come back and see us.
Excuse me.
Okay, boys.
Hi.
-You smell good. -Thanks.
It's nice.
May I sit down?
Of course. Make yourself at home.
Some chair.
You have a lot of TVs.
My uncle died watching TV.
He was a fanatic about sports.
I mean, any sports.
He had three TVs and a radio.
He used to run from room to room just so he wouldn't miss anything.
He died of a heart attack. '76 Olympics.
I've come close to a heart attack myself watching these things.
I used to live in hotels before I lived here.
I do like to cook.
-You like to cook. -Love to cook.
I bought this for you.
Why don't you just hand it to me?
I like to watch you move.
Okay.
Open it.
God.
It's beautiful.
I love it.
Do you know they used to hypnotize people with the sound of ticking?
You know that?
Let me hear it.
I hear it.
Can I ask you a question?
Okay.
It is beautiful.
What?
Elizabeth,
each day at 12:00,
would you look at that watch and think of me touching you?
Yes.
Would you do that for me?
Yes.
Liz?
Sinclair's on the phone.
Who?
I don't believe she said that.
God, what does he want?
I don't know.
I think it's about Farnsworth.
-Here. -No kidding.
Hello?
Sure, I'll hold.
Such a jerk.
I think I've been hypnotized.
A diet doctor tried it on me once. I gained 10 pounds.
I can't concentrate.
I sprayed Lysol under my arms this morning.
You brush your teeth with Ben Gay?
Shaving cream.
Oh, you're all right.
Listen,
your ex called. He wants to have dinner tonight. Don't forget.
No, I can't.
Why not? Lizzy, I think you should. He seems so sad lately.
You go.
You go in my place.
I don't think I'm his type.
Can I borrow your body?
Hello.
(MUSIC ''THIS CITY NEVER SLEEPS'')
You can hear the sound Of the underground trains
You know it feels like distant thunder
You can hear the sound Of the underground trains
You know it feels like distant thunder
You know there's so many people Living in this house
And don't even know their names
I guess it's just a feeling
-I guess it's just a feeling -In the city
I guess it's just a feeling
-I guess it's just a feeling -In the city
I guess it's just a feeling
-I guess it's just a feeling -In the city
I guess it's just a feeling
-I guess it's just a feeling -In the city
I guess it's just a feeling
(SHIP'S HORN BLOWING)
Molly.
-There's a man on the premises. MOLLY: -Terrific.
Great. Go to it.
Are these yours?
Yes.
It's nice. Come here.
I don't believe this.
I'm starving. Are you hungry?
Come on.
Don't move.
Stay right there.
I want you to close your eyes
and I want you to just lie on the floor.
Just lie down on the floor.
Come on.
Go ahead.
Close your eyes.
(EGG SLICER HITTING COUNTERTOP) JOHN: Don't peek.
I didn't.
(CAN OPENING)
Promise to keep your eyes closed?
(MUSIC: "BREAD AND BUTTER")
He likes bread and butter
He likes toast and jam
That's what his baby feeds him
He's her loving man
Well, I like bread and butter
I like toast and jam
That's what my baby feeds me
I'm her loving man
He likes bread and butter
He likes toast and jam
That's what his baby feeds him
He's her loving man
Well, she don't cook mashed potatoes
She don't cook T-bone steaks
Don't feed me peanut butter
She knows that I can't take
He likes bread and butter
He likes toast and jam
That's what his baby feeds him
He's her loving man
Well, she don't cook mashed potatoes
She don't cook T-bone steaks
Don't feed me peanut butter
She knows that I can't take
He likes bread and butter
He likes toast and jam
That's what his baby feeds him
He's her loving man
Well, I got home early one morning
Much to my surprise
She was eating chicken and dumplings
With some other guy
No more bread and butter
No more toast and jam
I found my baby eating
With some other man
No more bread and butter
No more toast and jam
No more bread and butter
No more toast and jam
No more bread and butter
Promise to keep your eyes closed, please.
Stick out your tongue.
Further. Further.
Further. Right.
Yeah.
I'll put it right on the spot.
Yeah.
Oh, that's nice.
(ELIZABETH LAUGHING)
I should have said no.
No, no, no.
I should have said no.
I would have if I could have,
but I couldn't. So I didn't.
Are you talking to me?
Listen, Lizzy,
you remember when you
suggested that I keep your date with your ex?
Well,
I did.
And the thing is, I couldn't say no.
I
slept with him.
With Bruce? My Bruce?
I thought you should know.
Well, your mom will like him.
Mine did.
Okay.
(ROCK MUSIC PLAYING FROM HEADSET)
I'm going to a party tomorrow night with Molly.
Will you come?
Come on, John.
No.
Why not?
I want you to meet my...
Don't you want to meet my friends?
I don't want to meet anybody. I really don't want to meet anybody.
I just want to be with you.
I'll start the dishes.
Let me tell you something.
You don't do dishes.
You don't ever have to do dishes. I'll do the dishes.
And I'll buy the groceries.
And I'll cook the food.
And I'll feed you.
And I'll dress you in the morning.
And I'll undress you at night.
And I'll bathe you.
And I'll take care of you.
And you can see your friends in the daytime. I just want the nighttime
from now on to be
ours.
(PHONE RINGING)
Yes?
Okay, fine.
Okay, I'll meet you.
I have to meet a friend.
That's okay. I've got work to do at home.
No, I don't want you to go.
Would you please stay?
Okay.
Fetch, boy.
TV: Now you can afford that bed that lets you read, eat,
chat on the phone, watch TV, sleep and relax at the touch of a button.
Now you can afford soothing, gentle massage. Your personal heat control.
Total adjustability.
At last, an adjustable bed at flat bed prices.
(PHONE RINGING)
Hello.
JOHN: -Elizabeth? -Yes.
JOHN: -Hi. -Hi.
JOHN: Don't talk. I have a question I want to ask you.
Okay.
JOHN: All the while that I was with my friend, I was just wondering
what you were doing in there.
I was wondering if maybe you were going through my clothes,
looking in my drawers,
looking at the things in my closet.
And I said, ''No, she's not that kind of girl.
''She's a good girl.''
Good girls don't snoop, do they?
So come on, you can tell me.
Tell me if you've been a nosy parker.
I mean, come on. Really, I want to know.
I'm your pal, right? So tell me.
You can trust me. It'll be our secret.
So tell me.
Tell me.
Yes.
-Yes. JOHN: -What's that?
JOHN: -Yes, what? -Yes, I've been a nosy parker.
JOHN: Shame on you.
I didn't think you'd be here.
Why'd you do that?
I'm sorry.
You've been a very bad girl.
I want you to face the wall and raise your skirt, because I'm gonna spank you.
You are kidding?
I'm not kidding.
Oh, God.
Who the fuck do you think you are?
(ELIZABETH MOANS)
(JOHN MOANS)
Coming.
Your breakfast is ready.
(MUSIC: "EURASIAN EYES")
Eurasian eyes are watching me
Like a river, oh, you flow through me
Eurasian eyes are running still
Will that be cash or charge?
Cash.
John?
Aren't you going to ask me how I like this?
No.
(RAIN HITTING WINDOW)
Did you take as good a care of the others as you do of me?
Did you?
(MUSIC: "SLAVE TO LOVE")
Come on, John.
-Say, ''That is gross.'' -That is
unacceptable.
Tell her I'll be waiting
In the usual place
With the tired and weary
Just go.
To need a women
You've got to know
How the strong get weak
And the rich get poor
Slave to love
Oh, oh, slave to love
Hurry!
You're running with me
Don't touch the ground
We're the restless hearted
Not the chained and bound
The sky is burning
Where are we going?
Though your world is changing
I will be the same
Slave to love
Oh, oh, slave to love
And I can't escape
I'm a slave to love
(ELIZABETH MOANS)
Can you help me?
The storm is breaking
Or so it seems
We're too young to reason
Too grown to dream
Now spring is turning
Your face to mine
I can hear your laughter
I can see your smile
Slave to love
Oh, oh, slave to love
And I can't escape
I'm a slave to love
Slave to love
Oh, oh, slave to love
And I can't escape
I'm a slave to love
I'm gonna take care of you.
Hot soup.
It's good.
How did you know?
How did you know I'd respond to you the way I have?
I saw myself in you.
Slave to love
And I can't escape
I'm a slave to love
Do you know what, Molly?
I can't figure this guy out.
You know, sometimes
it's so easy.
I mean, it might be
the tie they wear
or the books they read, or don't read.
But you know.
Know what?
What will end it.
So you just file it away and you wait.
And that sort of makes it bearable.
But with this guy...
Maybe it's true love.
Maybe.
Hi.
I brought you some lunch.
Pastrami and oatmeal cookies. Your favorite.
What are you doing here?
I was in the neighborhood
and I wondered how you spent your days without me.
And now I know.
Wow, you have such a big office.
Your secretary is very attractive.
I saw her on the way in.
Do you always buy her lunch?
Don't let her leave.
I love Wall Street.
I do, yes.
-Why? -I don't know.
I love the gray flannel suits, the shiny shoes.
Sometimes I wonder what it would be like to be one of the guys.
Yeah?
Sometimes.
Yeah, I can understand that.
The lady wants to know what it would be like to be one of the boys?
The crowd is going wild!
Oh, I don't believe this.
Don't sit down next to me looking like that. Jesus Christ!
-Will you take it off? -Stop it!
Just kidding. You look really good. You look great.
I'll tell you, my darling, it's a hell of a life.
You work and work and work.
You meet with people that you don't like, you don't know.
That you don't even want to know.
And they try to sell you things. You try to sell them things.
Then you go home at night, listen to the wife nag, the kids bitch.
You turn up the TV. You tune everything out.
You get up the next day and you start over again.
I'll tell you...
I'll tell you, the only thing that keeps me going
is this chick.
I got this chick.
I got this unbelievable chick on the side, see?
I mean, she is so hot
I can hardly believe it.
I mean,
she's got one of those heart-shaped asses.
There ain't nothing like a heart-shaped ass.
I mean, did you ever have a chick
with a heart-shaped ass?
I didn't think so.
Don't.
You're so fucking beautiful.
You are. You're so fucking unbelievably, absolutely beautiful.
Give me that moustache.
JOHN: What should we do? Pick up some chicks?
Hey, faggots!
Come back! Come back, you cowards!
(MUSIC: "COME TO LIFE")
Come on back...
Shit!
(ELIZABETH SCREAMS)
Run, John!
Come on, you son of a bitch!
Why did you pull me away? I could have beat them up.
I know. I know you could have.
I could've really done it! I could've done it!
(ELIZABETH SCREAMS)
Son of a bitch!
Jesus.
Damn it! Goddamn it! Fuck!
Did you see me? Did you see me? Did you see me? Did you see me?
I got him in the butt. Did you see me? Did you?
I love you. God, I love you. God, I love you. God!
TED: -Molly? MOLLY: -Yeah?
TED: -Help me pick out a matting. MOLLY: -God.
Harvey said neutral colors.
We could use one of these textures. They've got the rattan.
It's kind of like, you know, the tropical.
Oh, wait, look at these. I'd die for these.
Liz, would you help me out with this?
These are the kinds you can feel. We like these, don't we?
I'll leave you alone.
Ted! Telephone.
If it's my mother-in-law, I'm out. Please, stop torturing me!
Help me! He's gonna kill me.
Arpege. Arpege.
-Do you like that? -Yes.
Then take it.
Do you like it?
STORE LOUD SPEAKER: Mr. Jerry Bruckheimer
to the bedding department, please.
I'm sorry.
-When can I have this delivered? SALESWOMAN: -You're in luck.
-This display comes down tomorrow. -Why?
Because we're putting another one there.
-What's wrong with this one? -Nothing wrong with it.
Everybody likes that bed.
Where you gonna put it?
We'll probably sell it. Do you want it?
As soon as possible.
Then you only need give me the information.
Do you have a box spring and mattress?
I can handle it for you.
No, I would need a nice hard mattress and box spring
and I'd like you to deliver it all together.
Oh, you will want to select it.
No, I won't.
Well.
I need...
What else do we need?
Four big pillows.
Would you like goose down or Dacron pillows?
Which do you prefer?
Goose down is much nicer.
Goose down.
And the ticking?
And the ticking.
What about it?
It comes with it. What kind do you want?
What kind do they have?
You want striped?
What is ticking?
You don't know what...
It's the cloth that covers the mattress and the box spring.
-Oh, I must have ticking. -Yeah, oh, yes.
I would be very happy if you'd pick out the ticking for me.
Certainly.
Okay.
Will that be all?
Oh, there's one other thing. Sit down.
You have beautiful toes.
Beautiful toes run in the family?
Could my lady friend lie on the bed? Would that be all right with you?
Oh, thank you.
This bed is one of our most popular ones.
Just lie back.
Just hold onto the headboard.
You comfortable?
Spread your legs for Daddy.
You'll be happy to know you can have it delivered Thursday or Friday.
I just want a gander.
And I'll personally guarantee you can have the delivery on Thursday.
Spread your legs.
I won't look. Nobody's looking.
No, John!
(ELIZABETH SCREAMS LAUGHING)
(WHIP SNAPS)
I'll take this one.
(MUSIC: "YOU CAN LEAVE YOUR HAT ON")
Baby, take off your coat
Real slow
Take off your shoes
I'll take off your shoes
Baby, take off your dress
Yes, yes, yes
You can leave your hat on
Go over there
Turn on the light
Hey, all the lights
Come over here
Stand on that chair
Yeah, that's right
Raise your arms up in the air
Now shake 'em
You give me reason to live
Suspicious minds are talkin'
They're tryin' to tear us apart
They don't believe in this love of mine
They don't know what love is
All off.
Yeah, I know what love is
Sweet darling
You can leave your hat on
-Baby -You can leave your hat on
You can leave your hat on
There ain't no way
You can leave your hat on
Pretty woman
You can leave your hat on
Give me reason to live
You can leave your hat on
We've got to do something about Farnsworth.
I keep calling and calling and the man won't answer the phone.
We got three weeks. Harvey's going out of his mind.
I think you should go see him. Don't you?
It's a good idea, you know.
Mr. Farnsworth?
Hi. I tried to get in touch with you so many times,
but your phone was off the hook.
I wanted you to know that your show opens in three weeks
and we still don't have all your paintings.
And we were hoping you'd come.
You do remember about your show?
I remember to eat when I'm hungry
and I remember to sleep when I'm tired.
I saw your work.
It's wonderful.
I don't know what it is.
The way you manage to capture a moment.
It's the moment
when a thing is so familiar.
It is strange.
Yes.
Elizabeth, we're gonna play a little game.
I'm a man with a very big problem.
Because I can't get excited.
I can't get excited unless I see
you get on your hands and knees and crawl across the floor.
And I'm willing to pay a lot to see you do that.
Would you do that for me?
This is stupid, John.
Crawl.
I don't want to.
Get on all fours and crawl.
I don't want to argue with you.
Now crawl.
Don't play with me like that.
Elizabeth, I don't want to negotiate with you. Now crawl.
John, it's only a game.
-Crawl. -No!
-Crawl. -Don't touch me!
-Don't. -Pick up the money.
Pick up the money!
I don't want to pick up the money! I don't like the money!
Pick up the money.
Here's the money!
Elizabeth, you love this game.
-Don't you? -I hate it.
-Don't you love it? -I hate it!
You love it.
I hate it. It was...
You loved it.
You know you loved it.
Molly. Molly.
Bruce is down there.
Just tell him I'm not here. I don't feel like it.
Lizzy,
he's here for me.
Hi, Bruce.
Bye, Lizzy. See you tonight at the opening.
(CHILDREN LAUGHING)
RECEPTIONIST VOICE: Dr. Holden's office. Your appointment's tomorrow.
You've missed two. You know we have to charge you.
Try to make this one, please.
JOHN'S VOICE: Meet me at the Chelsea Hotel at 5 p.m. in room 906.
(MUFFLED TV VOICES)
(PHONE RINGING)
Elizabeth, I love you.
I have something I want you to do for me.
I want you to go to the drawer...
It was a simple thing I asked you to do.
Now do it.
Is it too tight?
How does it feel?
I love you.
(KNOCKING ON THE DOOR)
WOMAN SPEAKING SPANISH: Hold this, darling.
God, let's see.
Relax, woman.
This way, this way. Do you see it?
You are going to feel good.
Relax.
Do you like it? Like cats...
Do you like it?
WOMAN SPEAKING SPANISH: Softly.. I am going to make you feel
fabulous, hot...
(WHORE MOANS, PURRS)
(WHORE PURRS)
They are yummy.
How good!
Come and I will bite you!
Let me see your eyes.
Goodbye.
Let's dance now.
It is so good!
Let's teach her what is good...
Come on, girl.
What is this woman doing here?
WHORE SPEAKING SPANISH: Bitch, stupid. Son of a bitch.
Bastard.
-You can't... -You scared me.
-How does it feel? -You really want to know?
-How's it feel to be out of control? -You want to know?
-I want to know. What was it like? -You want to know?
-What was it like? -Look, John!
Look!
(MAN MUFFLED SPEAKING ON MICROPHONE)
(PEOPLE TALKING)
Anyone want champagne?
Take it!
This is wonderful. Wonderful!
The Times just arrived.
HARVEY: -Give us a good review. -I think they're taking pictures now.
-Are you ready? -Yeah.
-Oh, come on. Yeah. -Do I look all right?
-Wonderful. -I think I'm drunk.
Darling! For God's sake, help me.
Oh, help me, darling.
Farnsworth! He's so strange.
Really strange. I mean, I love the work.
I love it. I even told him.
But I don't know whether he's subliterate or pre-verbal or what.
But he just stares. Stares, dear.
Creepy. Really creepy.
This is the beginning of the Farnsworth era. He's a great painter.
-Bear with him. -Why bear with me?
This is a great day. I'm proud of the show
and I'm proud to have you with us.
(PHONE RINGS IN RECEIVER)
You leaving?
You won't stay?
You know, I have five brothers.
I'm the youngest.
We lived in a small town. It was just outside of Chicago.
My father...
My father was...
He worked at a foundry.
And my mother was a...
She was a clerk at a...
She was a check-out girl at a grocery store.
So, you know, it's just...
They got a family.
They don't work anymore. They're retired. I support them.
It's too late.
I want you to know something.
There's been lots of other girls.
There's been lots of women.
But I never felt anything like this before.
Even when I just
hold you in my arms, it's just the way you feel.
Something I didn't count on.
I never counted
on loving you so much.
You knew it would be over when one of us said stop.
But you wouldn't say it.
I almost waited too long.
I'll send someone to get my stuff.
Elizabeth. Elizabeth.
I love you.
Would you please come back
by the time I count to fifty?
One.